The Charyapada poems have also been claimed as belonging to Oriya, Assamese and Maithili. The style and technique was continued in Bhojpuri, B and Western Hindi poetry and this school which is represented in the Charyapada songs also has something to do with the medieval North Indian Sant poets and reformers. They composed short lyrics of generally five couplets in a metre, which is commonly the Padakulaka metre from which the modern Hindi chaupa and the B Payar evolved.
Of the 84 Siddhas some 24 are represented in the Charyapadas. (Some of you might be surprised to see the connection between the Tibetans and the Saiva sect but having visited Mount Kailash I found that Tibetans worship Lord Shiva with greater fervor than we do). They were claimed by both the later Mahayana Buddhists of India and Tibet as well as by the followers of Saiva Sect of Goraksha-natha. The poems were composed by a class of religious teachers known as Siddhas. These poems relate to the ideas and practices of the Vajrayana School of late Mahayana Buddhism of Eastern India. The 47 songs found in this work alone have a claim to be regarded as old B while the rest of the work is in Western Apabhramsa. Shashtri its founder published these in old B along with specimens of Apabhramsa (Sauraseni or Western Apabhramsa – Incidentally Punjabi derived out of a Sauraseni Apabhramsa around 1300 a.d.) literature obtained from Nepal. Connected specimens of B literature are found in the fifty Charyapadas which were discovered in Nepal. The oldest specimens of B are to be found in place and personal names in early inscriptions of B from the 5th century down to 1000 a.d. The article is divided into two chapters covering periods – About this time Bengali was fully characterized while Assamese remained much closer to Old B. judging from the specimens of Bengali, Assamese and Oriya, these languages had become fully established although the relationship between Bengali (B) and Oriya was a little closer than between these two and Oriya. Origin - The three Bihari speeches of eastern India namely Maithili, Magahi and Bhojpuri and Oriya, Bengali – Assamese all originated from the Magadhi Prakrit. Quote Shri R C Mazumdar editor of the Bhavan book ‘After a careful study of the materials now available, I feel that Hussain Shah has no reasonable claims to be regarded as the promoter of Bengali literature”. It is said by some Muslim scholars that development of Bengali literature was rendered possible only after the enlightened rule of Hussain Shah, the Sultan of Bengal, whose rule ended in 1519. After that I compared notes with The Cultural Heritage of India by the Ramakrishna Mission and made additions. This article is virtually verbatim from The History and Culture of the Indian People published by the Bhartiya Vidya Bhavan. When I use the word Aryan it does not mean that I subscribe to the Aryan Invasion Theory but as Sri Aurobindo said Aryan means Arya or cultured. Urdu too originated in India but has more words of Persian Arabic than Hindi today. Further Punjabi and Bengali have originated from Indo Aryan forms of speech. I agree that Punjabis do not eat fish like the Bengalis do but do you know that Baisakhi and Boishakh festivals are celebrated on the same day in Punjab and Bengal respectively. I was not proposing to compile this piece till I read an article by one Sauvik Chakraborthi in today’s Economic Times where he writes about feeling closer to Bengali Muslims / Bangladeshis rather than Punjabis.
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